Phoebe Wolfskill

Phoebe Wolfskill

Associate Professor, American Studies

Associate Professor, African American and African Diaspora Studies

Education

  • Ph.D., Art History, University of Illinois, Urbana-Champaign, 2006
  • M.A., Art History, University of Illinois, Urbana-Champaign, 2001
  • B.A., Art History, Emory University, 1997

Research interests

American art and visual culture, photography and race/racial difference, the Harlem/Negro Renaissance and WPA art; satire, caricature, stereotype, and appropriation in art and visual culture

Publication highlights

Books

Archibald Motley, Jr. and Racial Reinvention: The Old Negro in New Negro Art, University of Illinois Press, September 2017.

Beholding Christ and Christianity in African-American Art, edited by James Romaine and Phoebe Wolfskill (anthology manuscript), Pennsylvania State Press, September 2017.

Current projects

“‘Laugh[ing] at Our Collective Selves:’ Stereotype and Satire in the Work of Joyce J. Scott”

“Joyce J. Scott’s Dissolving Memorial to Harriet Tubman”

“Narratives of Black Atlanta in Emma Amos’s Odyssey (1988)”

“Photographic Appropriation in the Early Work of Romare Bearden”

“Blackness and Non-Iconicity in FSA Photography”

Photography, Painting, and the Early Twentieth-Century Black Subject (book manuscript)

Journal articles + Anthology chapters

“Emma Amos’s Foundations in London” Nka: Journal of Contemporary African Art 2022, no. 50 (May 2022): 116-131.

“Photographic Disruption in the Work of Emma Amos” in Shawnya L. Harris, ed., Emma Amos: Color Odyssey (Athens, GA: Georgia Museum of Art, 2021), 63-73.
“‘I Wish to Reveal’: A Conversation with Joyce J. Scott,” online exhibition catalogue, “Fragments of a Crucifixion,” Museum of Contemporary Art Chicago, May 2019

“The Enduring Legacy of the Harlem Renaissance” in Edward Chambers, ed., Routledge Companion to African American Art (New York: Routledge, 2019), 27-40.

“Love and Theft in the Art of Emma Amos,” Archives of American Art Journal 55, no. 2 (Fall 2016): 46-65.

“Caricature and the New Negro in the Work of Archibald Motley, Jr. and Palmer Hayden” Art Bulletin 91, no. 3 (September 2009): 343-365.

“‘You Must be Able to Laugh at Yourself:’ Reading Racial Caricature in the Work of Archibald Motley, Jr. and his Successors” in Dana Williams, ed.,

Black Humor, Irony, and Satire: Ishmael Reed, Satirically Speaking. Cambridge, UK: Cambridge Scholars Press, 2007, chapter 7.

Book + Exhibition reviews

Book review: Lisa Farrington, African American Art: A Visual and Cultural History (Oxford University Press, 2016), caa.reviews.

Book review: Represent: 200 Years of African American Art in the Philadelphia Museum of Art. Yale University Press, 2014, caa.reviews, February 2017.

Book review: Eugenie Tsai, ed., Kehinde Wiley: A New Republic, exhibition catalogue. New York: Prestel, 2015. Reviewed for caa.reviews, fall 2015.

Book review: Natalie A. Mault, ed. The Visual Blues, exhibition catalogue. Baton Rouge, LA: LSU Museum of Art, 2014. Reviewed for caa.reviews, fall 2015.

Exhibition review: “In Review: Ashe to Amen” SEEN Journal XIV, no. 1 (2014): 25.

Book review: Patricia Hills, Painting Harlem Modern: The Art of Jacob Lawrence. Berkeley: University of California Press, 2010, Association of Historians of American Art (AHAA), spring 2011.

Select exhibition catalogues

Entries on Alison Saar, Joyce Scott, Florian Jenkins, and Jacob Lawrence in Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum. Exhibition catalogue. Hanover, NH: Hood Museum, 2009. Alison Saar entry reproduced in In Residence: Contemporary Artists at Dartmouth. Hanover, NH: Hood Museum, 2014.

Entries on Judy Chicago, George Grosz, Gabrielle Münter, David Park, Mark Rothko and Yves Tanguy in Krannert Art Museum and Kinkead Pavilion, Selected Works. Urbana, IL The Board of Trustee of the University of Illinois, 2008.

Curated exhibition and authored catalogue: Jamming with the Man: Allen Stringfellow, A Retrospective. Exhibition catalogue. Urbana, IL: Krannert Art Museum, 2004.

Selected honors & awards

  • Lilly Foundation Award, Eli Lilly and Company, for exhibition “Unmasked: The Anti-Lynching Exhibits of 1935 and Methods of Public Community Remembrance,” with Drs. Alex Lichtenstein and Rasul Mowatt, 2022-2023
  • Seed Grant Award, Center for Research on Race and Ethnicity in Society (CRRES), Indiana University, Summer 2018
  • Research Travel Grant, College Arts & Humanities Institute (CAHI), Indiana University, Summer 2018
  • Primary Source Immersion Grant, Indiana University, Summer 2018
  • Fellow, Teaching and Learning Center, Indiana University, Summer-Fall 2018
  • Grant-in-Aid, Office of the Vice Provost for Academic Affairs, Indiana University Bloomington, November 2015-December 2016
  • New Frontiers in the Arts and Humanities Exploratory Travel Fellowship, College of Arts and Sciences, Indiana University, 2014-2015
  • Publication Grant, Society for the Preservation of American Modernists, 2009
  • Andrew W. Mellon Postdoctoral Fellowship, Dartmouth College, Hanover, NH, 2006-2008
  • Research Travel Grant, College Arts & Humanities Institute (CAHI), Indiana University, 2022-2023
  • Allen Whitehill Clowes Charitable Foundation, Inc. Grant, with Drs. Alex Lichtenstein and Rasul Mowatt for exhibition “Unmasked: The Anti-Lynching Exhibits of 1935 and Methods of Public Community Remembrance,” 2021-2023
  • Platform Arts and Humanities Laboratory Award, Indiana University, with Drs. Alex Lichtenstein and Rasul Mowatt for exhibition “Unmasked: The Anti-Lynching Exhibits of 1935 and Methods of Public Community Remembrance,” 2021-2023
  • Institute for Advanced Study Collaborative Research Award, Indiana University, with Drs. Alex Lichtenstein and Rasul Mowatt for exhibition “Unmasked: The Anti-Lynching Exhibits of 1935 and Methods of Public Community Remembrance,” 2021-2023
  • Indiana University’s Arts and Humanities Council Grant, with Drs. Alex Lichtenstein and Rasul Mowatt for workshops on “Art, Commemoration, and Resistance to Racial Violence,” Marion, Indiana, 2021-2022
  • Institute for Advanced Study, Bloomington Symposia on Migration, Indiana University, 2021-2022
  • Institute for Advanced Study, Recently Tenured Faculty Working Group, Indiana University, 2021-2022
  • Paul Mellon Visiting Senior Fellowship, Center for Advanced Study in the Visual Arts (CASVA), National Gallery of Art, Washington, DC, Summer 2021
  • Trustees Teaching Award, Indiana University, Spring 2019

Courses recently taught

  • AMST A100: What is America?
  • AMST A204: Race in American Art
  • AMST A298: Art of the Great Depression
  • AMST A352: American Documentary Photography
  • AMST G751: Graduate seminar in American art and visual culture